CD $12.00
Digital

Conner Hello Graphic Missile

SBR021 Release Date: now.

13 searing tracks recorded entirely on analog tape and mastered by Doug Van Sloun.

Out Now.

1. Silent Film Score
2. Cold Feelings
3. OverFlow
4. Floating On Error
5. Independent Women
6. For The Fourth time
7. Enough For You And Me
8. Toluene
9. Up To You
10. I'm A Balloon
11. Window Shopping
12. Eyed Eyes Eye
13. She Tells No Lies

REVIEWS
Ashcan Rantings
If you had a glass into which you poured some 80’s new wave sound, a bit of The Strokes, an oddly UK-sounding lilt originating in Kansas and just a few dashes of the Kings of Leon mumbles, you’d have a close approximation of Conner and their album, Hello Graphic Missile (Sonic Boom Recordings).

James Duft, Tom Wagner, Bryce Boley and Phil Bonahoom create a throwback sound that doesn’t sound dated or cliché. Their songs are well-constructed and catchy but not the type of catchy that annoys. On their new album, the fourth track, Floating on Error, ascends into a sonic maelstrom with ridiculous drums and raucous guitar, and their song Enough For You and Me opens with a Rolling Stones feel and then settles into a relaxed, laidback groove.

With great vocals and awesome guitar solos throughout, Conner successfully makes the sounds that a lot of other bands attempt to create. Some would compare Conner to bands like The Killers, but I think Conner has a truer sound that isn’t an obvious grab at commercialism.

In short, I dig it.
CMJ - Greg Winter
“The rock rejuvenators at work here are bound to make their mark in the current garage revival scene — especially as they add an approach to songwriting that’s notably original; if anything, Conner is a trailblazer in the resurgence.”
KJHK, University of Kansas
“If you're even remotely interested in the local music scene you know that Conner is one of Lawrence's brightest new bands. Equal parts Iggy Pop, The Clash and the Velvet Underground, the band's songs have the distinct ability to wedge themselves in your brain like a needle in Keith Richards' forearm. Live, the band is a raucous riffage-machine driven by the nimble fingers of lead guitarist Tom Wagner and the sounds-before-words vocals of James Duft. Screw moving to New York City: Conner gives ample reason to stay in Lawrence.”
Kansas city star’s local album of the year
Big Takeover - Marcel Feldmar
I think it's getting harder to tell which bands are just ripping off the "popular" styles, and which bands are just playing music they love, and if it references other bands you've heard - so be it. Conner, a Kansas quartet, falls into that play what you love category. Sure, you hear some Strokes and Franz Ferdinand, but you also get some early Stones, Hot Hot Heat, and possibly a little Clash thrown in for good measure. Sparse but incredibly catchy songs, with the guitar bursts just catching you and not letting go. Fun and clever indie garage pop that's sure to be enjoyed. (www.sonicboomrecordings.com)
Modern Fix
Don't let "Lawrence, KS" fool you. Conner will never be confused as post-Get Up Kids, post-Coalesce, post-The Anniversary, post-The Casket Lottery hardscreamoemocore from the middle of nowhere. Instead they're closer to a new-wave version of the Clash - a liquor and cigarettes version of the cocaine and amphetamine-fueled The Killers. File it in your iPod next to the Faint, The Plot to Blow Up the Eiffel Tower, Elvis Costello angry.
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